Portrait of Aishah (2017).
This is my first portrait with a large format camera. I can see why everyone loves the large format, and this is the baby of them, the 4"x5".
With a 3200dpi scan you get a crazy file, about 16000px x 13000px. Considering this was shot yesterday, developed and scanned today, it's no wonder analogue photography is becoming popular again.
I recently read this article and it stirred in me an enthusiasm to think about organising a year-long photography workshop that looks at photography beyond technical aspects, focusing on a more personal approach.
I have taught a few of these year-long workshops at PhotoAccess, but after a few consecutive years felt that I needed a break from teaching. Well, this article certainly has come at a great time and now I'm ready to see if there is interest from a few photographers to undertake this workshop in 2018.
I made a facebook post about this last night, which I have pasted below. If this is something that you may be interested in, please drop me a line. More information will be available in coming weeks about the proposed workshop plan.
I'm contemplating running a year-long personal photography workshop here in Canberra in 2018. I'd like to keep the group small, say 5-6 people, and am interested in working with photographers who want to explore their lives, their environment and most importantly themselves through photography (by this I mean finding out what really interests you with the medium and how to make your pictures your own).
Ideally, we'd meet about 10 times over the course of the year, and each participant would be working on a long term project, as well as having to complete 'mini assignments' between meetings that would introduce important elements of photography such as portraiture, working to a brief, lighting and so forth.... We'd also look at presentation, including printing, curating a show, books, websites, etc etc. Only ideas at the moment but I'm feeling good vibes about this. And at the end we'd put on a great exhibition of all the work.
Participation would be based on a portfolio of 12 themed images and an artist statement. This would be a workshop that pushes you, challenges you and perhaps pushes you into uncomfortable places. But the idea would be for you to really see what you are capable of.
My extensive library of photography books would be an open resource for all participants to borrow during the course.
I'd like to keep the course under $2k per participant, or around $200 per day-long workshop.
Please comment if this is something you would be interested in.
This is a link to my recent exhibition 'Next Generation: Solomon Islands after RAMSI' which was commissioned by the Department of Foreign Affairs and Trade this year.
Whenever I see people playing musical instruments, I am always drawn to photograph them. This is certainly nothing new, but it came to the forefront of my mind after photographing Richard Tognetti at Parliament House a few nights ago, and then the next night seeing a quartet also playing at Parliament House at the National Rural Women's Awards.
Two of my favourite photographers, André Kertész and Josef Koudelka both photographed musicians rather extensively and I always think of a few of their images when I am making my own photographs of performers, especially the violin. Their poeticism of imagery will always inspire me greatly.
Last night I covered a special screening of 'Mountain' for Screen Australia, directed by Jennifer Peedom in collaboration with the Australian Chamber Orchestra. World renowned violinist and current Artistic Director and Leader of the Australian Chamber Orchestra Richard Tognetti performed before the screening, playing on an C18th violin that has been given to him on permanent loan by an anonymous benefactor.
I was honoured to have Shaune Lakin, Senior Curator of Photography from the National Gallery of Australia, open my current exhibition 'Next Generation: Solomon Islands after RAMSI' at Huw Davies Gallery, PhotoAccess, in Canberra on Thursday 17 August. It's not every day that a senior curator talks about your work to a public audience, so it was a very special occasion for me both professionally and personally.
With his permission, Shaune's opening speech was recorded and transcribed. I intended to publish it here to archive and also to make his speech accessible for those who could not make the opening reception, but would like to read what was said.
I had the great pleasure of opening Steve Hartup's current exhibition 'Tolwong Road - a story of a fire' at X Gallery in Bungendore, NSW on Saturday 19 August.
I only met Steve about six months ago, and in that short time we have become good friends, often talking at length about the photographic practice. Steve is a true craftsman, and it shows not only in his photography but in his amazing house which he built entirely by himself in a small village in regional NSW.
I first met Steve back in February when he visited my Solomon Islands exhibition at The Photography Room. He went from print to print on the wall and then through the entire selection of matted works on the print table. After about 30 minutes he selected one and purchased the photograph. This is my first memory of Steve and it is one that says a lot about the man. Steve is calm, methodical, has an incredible eye for detail and is extremely considerate in his actions. These characteristics are are evident in his immaculately hand-printed, 5"x4" exhibition of photographs at X Gallery, which is on display until 9 October.
This series of images was made over 4 years in the mid 2000's after a severe fire near Sassafras (between Nerriga and Nowra) in southern NSW. Making over 20 trips to affected areas of Morton National Park, Steve produced a set of over 400 5"x4" black and white negatives, which he has edited into an exhibition of 40 (38 x 11"x14" and 2 x 16"x20") prints.
The exhibition is up for a month and a half, and the gallery also stocks incredible jewellry made by Xanthe, the gallery owner. If you are in Canberra, or even Sydney for that matter, make the trip to Bungendore to see some of the most luscious fibre based, gelatin silver photographs you will see for a while. The images are stunning and without wanting to talk money, they are ridiculously affordable, with a good few sales on the opening afternoon.
Today was the official launch of NEXT GENERATION: Solomon Islands after RAMSI, an exhibition of photographs made on commission for the Department of Foreign Affairs and Trade in June/July 2017. The exhibition was officially launched at Parliament House in Canberra by the Minister for Foreign Affairs Julie Bishop, with special guest The Hon. Manasseh Sogavare, Prime Minister of Solomon Islands, on his State Visit to Australia.
I had the pleasure to walk Prime Minister Sogavare through the temporary exhibition at Parliament House and have a chat to him about the making of the work. The exhibition will now be moved to PhotoAccess, which opens on Thursday 17th August at 6pm. The exhibition will be opened on Thursday by Shaune Lakin, Curator of Photography at the National Gallery of Australia.
Every ANZAC Day I try to visit a regional town to photograph the ANZAC Day March and commemorative service. This year I went to Yass, which is a little under and hour from Canberra. What I especially love about ANZAC Day is the gathering of people; the crowds who come together to pause and reflect on the sacrifice given by many thousands of soldiers who have served under the Australian flag in conflicts all over the world.
ANZAC Day is really the only day in this country's calendar when the streets of small towns like Yass become full, with people lining the footpaths to honour those marching who have served, as well as the memory of those whose medals are worn by younger generations marching in their absence.
I was recently commissioned to photograph Deputy Prime Minister and Leader of the Nationals Barnaby Joyce for The Weekend Australian Magazine. I was pleasantly surprised this past weekend when I saw a few pics placed on a nicely designed cover.
The Weekend Fin Review has published a page of photographs and a short story on the work that Kokonut Pacific is doing in the Solomon Islands. My current exhibition 'Solomon Islands' came from a commissioned trip with Kokonut Pacific last September (2016).
I was recently commissioned by The Big Issue Magazine to photograph magazine vendor Robbo for the special Christmas edition. A big thanks to my good friend George Fetting from Headshot Factory (http://www.headshotfactory.com.au/) in Leichhardt for donating his studio space for the shoot. In the same issue, my portrait of Canberra vendor Grant has also been published. The Big Issue is a magazine with diverse and engaging content which empowers people to help themselves financially and personally. Do yourself a favour and grab a Christmas edition and put $3.50 in the pocket of someone selling it for Xmas.
I was recently commissioned by Reconciliation Australia to photograph Mick Dodson in Sydney.
This afternoon I was commissioned to photograph the Prime Minister's Christmas Party at The Lodge in Canberra. I arrived early, as I had never been to the Prime Minister's residence before. Apart from meeting the PM's staff and having a look around, I was able to chat to the wait staff who were also milling around, waiting for guests to arrive.
I asked the eight of them who were there if they would all like to pose for me, and they all happily agreed. When asked why I shot their portraits by a member of the PM's staff, I started talking about the August Sander exhibition that was at the AGNSW a few years back, and how he photographed everyday people and scenes in Germany, and how wonderful I think his work is.
So here are my Sander inspired portraits of the waiters.
I was recently commissioned by Harris Hobbs Architects to photograph a select number of sculptures on the shore of Lake Burley Griffin, installed as part of the Contour 556 exhibition, curated by Neil Hobbs. The exhibition closes on Sunday 14 November, so if you are keen to explore what's on, get on your bike and check it out. The Contours 556 exhibition is a great show in the old NGA Contempirary gallery on the lake, with outdoor sculptures scattered around the foreshore.
The National Library of Australia has acquired a selection of my photographs from the 2016 Federal Election for their permanent collection.
I'm happy to have been able to print the photographs myself with a recently purchased large format inkjet printer.
The prints are 43cm x 56cm, and are printed on Ilford Galerie Prestige Gold Fibre Gloss 310gsm.
It is always an honour to have works acquired, especially by a national institution like the NLA.